Same but different

The Girl Who Saved the King of Sweden is Jonas Jonasson's second novel and his self-confessed description is that it is the 'same but different' to The Hundred Year Old Man Who Climbed Out of the Window and Disappeared.That's just dandy for me because his first one was the funniest and best novels I've read in ages. It was a pretty good film as well with delicious black humour.

What I like best of all is the way Jonasson rides roughshod over received political opinions about international politics and boils events down to the random actions of different personalities as if the world is just one big dysfunctional family. A country and a country's culture is always more complex and diverse than can possibly be expressed in a single story and yet Jonasson's farce is uncomfortably close to the truth with broad historical events turning on the whim of a few individuals' self-interest. This time apartheid era South Africa, China, Israel and, of course, Swedish politics and monarchy come in for a bit of a working over albeit in a gentle and affectionate way for the King. Can't wait for Hitman Anders and The Meaning of It All.

Gone and Forgotten

There are two sides to every story and one is good and one is bad. I was looking forward to this book because I read a reasonably average novel called Good Girl and the press seemed to equate it with this one just because of the title. I'd seen part of the film of Gone Girl and was looking forward to reading this. Now I find myself looking forward to finishing the film in order to compare the two but I'm not one of those people who complains that films aren't like the books or vice versa. They are always quite different but complimentary. Sometimes in a good way and sometimes not so good - just different. 

Strangely though I did find the two books more similar than the book to the film. That is because what frustrated me about Good Girl was the two dimensionality of just having two characters. In a film that seems less obviously a problem as your attention span and the story are short enough for it not to matter. In Gone Girl I really wanted the parents and friends to be more fully rounded. I wanted to find out what happened to the first girlfriend. I wanted to know more about the police investigators and the lawyer. The curiosity to read on is purely plot driven rather than character driven once you've worked out the basic premise and your empathy for the main protagonists is exhausted. Nonetheless you have to respect Flynn for avoiding a straightforward good versus bad approach to her characters and letting them speak fully through the narrative.